The color correction of a film is a demanding creative process, which our experienced, award winning colorists are handling for you.

For an excellent result we use the resolution-independent BASELIGHT and DAYLIGHTsystems that are used in a controlled grading environment.

Our dedicated grading suite for cinema films is equipped with a digital reference projector that also uses RealD's stereo 3D technology and can therefore represent the viewing situation in conventional cinemas. 

In addition, in cooperation with Studio Funk, we offer a combined grading and sound mixing cinema, which has a screen width of 7m.

The grading suites for TV films are equipped with reference monitors from SONY and EIZO which enables us to carry out UHD/HDR productions in addition to the classic HD/SDR projects.

The color correction is done as required either in Hybrid Log Gamma (HLG) or DOLBY VISION (PQ) 2.9 or 4.0. As one of the few post-production houses, we have a DOLBY VISION Facility certification.